4/8/2024 0 Comments I was a teenage hand model![]() She was very desperate and she did something that I know she regrets. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. This is probably the laziest cover I will ever do.'I Was a Teenage Hand Model' was the 11th and final track on Queens of the Stone Age's self titled debut. Some people think, never take your life, and some people find that their life isn't worth living. Cover of 'I was a teenage hand model', a song by QOTSA.Josh Homme / Boars Stiff Music, BMI - Loosegroove records, 1998No commercial purposeOther covers / D. Life wasn't worth it for her, that was her opinion. "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother our last name was Smith. For me, I wanted to experience the heights, and the lows come along with it." Cozied up to the toilet Face stuck to the floor I met expectations that I was tryin to ignore Job had such patience I wonder, what's that like One hundred thousand million But I hear That's what you like So I was thinkin 'nah' So these cities are sprouting Like a spit in the eye And this world. "What it feels to descend from the mountain top. I Was a Teenage Hand Model is the last track off Queens of the Stone Age's first, self-titled album. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. ![]() This track, which serves as the closing song on. Its the hard-working saviour youve been looking for all these years helping to return your. The version on Nothing's Shocking was re-recorded in 1988. One such song that has always stood out to me is I Was a Teenage Hand Model by Queens of the Stone Age. This soft balm is our hand, nail, and anything-dry cream. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking.
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